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The primary anatomical consideration for the VCH piercing is sufficient depth to the hood, which is shaped like a small one-ended tunnel. Most women are anatomically suited to this placement, and since vulvas are shaped vertically, the piercing rests aligned with the body. This can result in more direct clitoral stimulation during sexual activities. The VCH is an attractive piercing in which the jewelry frames the clitoral hood and contacts the sensitive glans underneath it. I actually had a day in my career that was nothing but VCH piercings-22 of them, I believe! They can be extremely simple to perform, which is why it is even more upsetting to see so many women needlessly injured and scarred by inept practitioners. The vertical clitoral hood (VCH) i is by far the most popular piercing I do.

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Disclaimer: This is not intended to teach anyone how to do a VCH piercing! Guidance under a qualified mentor is indispensable. Therefore, I’ve decided to address VCH piercings in this issue. While writing it, I was reminded of the extraordinary amount of consultations I do for unfortunate women who have received VCH piercings that are improperly placed-sometimes disastrously so. Last month’s article discussed triangle piercings with a focus on suitable anatomy and proper placement. He woke up eventually and that’s how I met him. Giant rats in the back of the Chinese place. I beat the shit out of him with his shoe and I knocked him out and threw him out in the back where the rats were. The first time I met him he punched right in the stomach. He was alright but Jonsey didn’t like him, too boisterous.

He’d tell them all kinds of stories and keep them there until we got in. He’d hold them 4 or 5 hours, he wouldn’t let them go. He’d hold the guys for us if we weren’t around. The first piece he ever got was a chest piece about the Spanish American War.

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I don’t know it was allowed to take a skin off a human. To conclude, a brief extract from an interview of Stanley Moskowitz taken from the book “New York City Tattoo “The Oral History of an Urban Art”, by Michael McCabe should be mentioned to point out that Hyland’s “eccentric character” has become a milestone in the Bowery tattooing scene: “ Dick Hyland, Bernard Wrottemberg was his real name. Dick Hyland, Human Autograph, Tattooed Man.

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Hyland immediately showed great loyalty and gratitude towards the Moskowitz family: when Willie Moskowitz’s sons, Walter and Stanley, and son-in-law Stanley Farber, were introduced into their father’s business, Hyland lent all the free space that had remained on his body to allow the young Moskowitz to practice. 4 Bowery (in the 1950s the studio moved to 52 Bowery) waiting to get tattooed.

What a better place than New York’s Bowery Street to stage for Dick Hyland’s performances? Around the mid-1940s he entered into the good graces of the legendary tattoo artist Willie Moskovitz, endeavoring to entertain, involve, and keep at bay the hordes of pretentious clients who were in front of the studio of n. Dick Hyland, U.S., Applications for Seama n’s Protection Certificates, 1916-1940 Dick will soon find himself out of work and it seems that there was no mention of him until 1944 when he got back to action in New York with 1,195 tattoos. His brief career at Robert Ripley’s Times Square Odditorium only lasted from 1939 to 1940, mainly due to his over-imbibing problems combined with his out-of-line conduct. Dick Hyland while was showing his tattoos, Unknown internet source.

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It was right from the world of professional pugilists that Bernard assumed the identity of the famous boxer “Dick Hyland” to be able to perform as a tattooed attraction at Robert Ripley’s Times Square Odditorium in 1600 Broadway, with the ultimate goal of promoting his “600 autographs” tattooed on the skin along with other traditional tattoo designs. Antique card of the real Fighting Dick Hyland, first decade of the 1900 Since young, he began to decorate his body unusually, collecting tattooed autographs of famous people, especially professional boxers. He was inspired by his admiration towards the stars of professional boxing of the early 1900s in the creation of Dick Hyland’s character: “The Human Autograph”. News paper article entirely dedicated to Dick Hyland, first half of the XIX cent. Among the various “tattooed characters” that marked the tattoo scene of Bowery Street in New York, we cannot fail to mention Dick Hyland “The Human Autograph”.īorn in 1897 in Petoskey (Michigan) under the name of Bernard Wrottemberg, he soon distinguished himself for his out-of-line behavior probably due to a severe mental incapacity increased by the habit of alcoholism.

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